Broken
Nse Ikpe-Etim, Bimbo Manuel, Kalu Ikeagwu, Chuks Etolue, Iyke Ibeziako, Sydney Diana, Maksat Ampe
A family woman is forced to face her past when two mysterious strangers whom she is inexplicably linked to appear. She is desperate to keep her family life intact despite the shocking secrets that are about to be exposed.
Bright Wonder
Bright Wonder
Bright Wonder
2013
Relevant storyline
Doesn't reach it's maximum potential
Broken tells the story of a woman who is reunited with children she had long abandoned. It’s a foray into arguably new territory concept wise, but definitely original in presentation and set-up. The idea behind the movie is moving and true and very relevant for many. The question throughout the movie is really not of whether or not it is predictable and unoriginal, because that is something it definitely isn’t, but more of if it is riveting enough to carry you through or be considered memorable.
Nse Ikpe-Etim plays the mother who abandoned her children 16 years ago and even though she is one of the bigger stars in the movie, the movie is not about her. Even though Bimbo Manuel and Kalu Ikeagwu are also the other two of this tripod star cast, the movie is really not about them. But be that as it may, these three were the fire that burned and the glue that held it all together. Nse’s prison room performance was the only scene where I was teary eyed and Bimbo Manuel has indescribable powers of doing things and saying things without verbally saying anything.
It is important to note though that even though I said the movie isn’t about them I do not mean it in the sense that they were just put on the cover to sell the movie. Their characters were vital and embedded in the storyline but the bulk of the emotions is not centered around them – exempting maybe Nse’s character occasionally. The trials, the heartbreaks, the ups, the downs, the roundabouts are faced by the characters playing the children so regardless of the strength of the elders the responsibility to bring it all home rested squarely on their shoulders.
Broken is a really emotion-driven movie and even though at the end I was touched and I received the message loud and clear, I still thought it could have been louder and it could have been clearer. Personally, I’m a crier. I cry at the slightest pretext for every movie that calls upon my tears. However, for this movie my eyes barely started getting teary before it ended and a couple factors can be blamed for this.
The most important of these factors being the performances. Asides from the star actors and the first born son’s character – the real first born, most of the characters in this movie weren’t giving any solid performances. The parts that were supposed to be tear-jerking were passable at best, and all of Nse’s post-new-marriage kids were reciting lines for me. A big kudos though to the lady that plays the psychotic daughter and her brother because even though there was room for improvement, they still held it together enough for the message to be sent.
Broken does an amazing job of bringing up a societally relevant issue and the story behind it was great. The screenplay was interesting but I cannot dodge the feeling that it could have been so much more than what it was. With more solid performances and more fluid storytelling, the result could have been mind-blowing.
I think you should stick to a single method of rating movies….Today I would see D+, Tommorow it becomes 45% then next week its now 2.5….why don’t you just remain consistent with one method?
There are different categories of reviews on NR. There are home videos, cinema releases, nollywood USA movies and indigenous movies. Each category is rated in a different style: star ratings, percentages, grading and out of 10 respectively. If you visit the homepage and scroll down a little you will notice that these categories are clearly delineated and the review styles are the same under each category.
I am actually agreeing (yay) with NR on this one. As I was watching the movie, I couldn’t help but think that something – that special ingredient that adds a kick to a recipe was indeed missing from this film. I kept wondering how many times we were going to have to be led into the bedroom with these “new found” children who had not bathed nor changed clothes in days. How many scenes? I love Kalu, Nse and Bimbo, but somewhere I thought they needed much more to do. I also thought we could have gotten more of an inside glimpse into their personal worlds. The brief conversation we get with Bimbo’s character, and his daughter, the house girl, was to me a bit shallow, with little information and detail that could really be put together. I will give a thumbs up to the three who played the abandoned children, as I thought they carried their roles well, especially the young man who played the prisoner. In general, however , I do agree with your assessment regarding the acting from the supporting roles. This was a movie that needed to be further developed.