Moth To A Flame
Femi Jacobs, Kiki Omeili, Paul Utomi, Shaffy Bello-Akinrimisi, Tubosun Aiyedehin, Lisa Omorodion, Layemi Afolabi
A poor beautiful woman is forced to drive a taxi, in order to pay her father’s ongoing debts at the hospital. However, a strange encounter with an arrogant businessman, changes her current condition for the better, with a proposition too good to pass by.
"Even queens make mistakes and sometimes they make royal mistakes. But you know what, a royal mistake is way cooler than an ordinary person's mistakes. It doesn't matter if you make mistakes. What matters is how you respond"
1hr 47mins
OneSoul
OneSoul
JP Wordsmith
2016
Sometimes you need to take a hiatus from seeing the same old story line so you try something new and different. However, after some time, new and different gets to become a bit tasking and you seek familiarity, and that’s what this movie is: familiar.
Yes, most of us could have written this by ourselves. Moth To A Flame is a romantic story of a young lady, Joan played by Kiki Omeili, whose family is going through hard times. With her father in the hospital and a mountain of debt to tow, she has to figure out a way to contribute to the family and solve some problems. So she takes on her father’s old job and becomes a taxi driver.
During one of her first trips (very conveniently) she meets a young man, played by Femi Jacobs, stranded at the corner of the road in need of a ride back home. She picks him up and takes him home only to discover the next morning that he forgot his wallet in her cab. She goes to return it and he offers her a job as his personal driver.
If there’s anything original about this movie (and mildly so, at that), it’s all the female empowerment going on. The female taxi driver and then the female personal driver and so on and so forth. Asides from that, I hate to say that it is as formulaic as a romance storyline gets.
However, it doesn’t bore with its formula. There might not be a plethora of chemistry between both Kiki and Femi on screen but it is decent enough to keep the storyline going. The little nuances in their performances add a little humor here and there. Shaffy Bello as the stereotyped wealthy mother-in-law figure does come off a bit forced and excessive at some places. However, all in all, the performances come together to create a warm appeal.
There’s nothing new here. It is a series of convenient events that all total up to that very obvious happy ending but I don’t know who would go into this expecting anything else.